Nicknamed “O Poetinha (The Little Poet),” Moraes was the creative mind behind many of the bossa nova songs in the current musical canon. Their English rendition of “The Girl From Ipanema” has become one of the standard versions of the classic Brazilian tune, which Jobim himself wrote. Jobim reached American audiences when he began performing onstage with Frank Sinatra in the 1960s. There were several non-Latin influences in his compositional style, including the French Romantic composers of the classical tradition. As a young man, he worked as a bar musician, then moved to arranging and composing. It’s no accident that Jobim was born in Rio de Janeiro, the heart of where bossa originated. He wrote and performed dozens of Brazilian tunes that are now some of the most well-known examples of the bossa sound and style. Antonio Carlos JobimĪlso known simply as Tom, Jobim was one of the most prominent figures in the development of bossa nova. Gilberto’s wife, Astrud, was another respected singer of the bossa genre. Professionally, he often collaborated with Jobim, Getz, and other fixtures of the Latin-jazz crossover era. Gilberto was nominated for several Grammy awards during his lifetime and has been inducted into the International Latin Music Hall of Fame. In his home country, the people referred to him as “O Mito,” a word translating to “legend.” In other countries around the world, he is known as the “Father of Bossa Nova.” Joao Gilbertoīrazilian guitarist and singer Gilberto was pivotal in originating the bossa nova sound in the late 1950s and early 1960s. Here are a few important names within the bossa nova genre. “Manhã de Carnaval”Īs with any musical subgenre, there are a handful of performers whose work solidified its formation and crafted its unique sound. Several well-known bossa nova songs are well worth a listen to familiarize yourself with the subgenre. Singers begin with the standard melody but often move to improvisational or rhapsodic patterns. The vocal technique is a natural, smooth sound with none of the precision and clarity of classical opera (for example). Some are more dramatic, others subdued and intimate. Singers carry a wistful and romantic bent to their styling. Bossa's lyrics usually portray themes of love or illustrate elements of South American nature. Much of the foundational repertoire has been translated into English for American audiences, such as when it was performed in the big band/swing era. Sometimes vocalists prefer Spanish or a mixture of the two. Traditionally, the lyrics to bossa nova music are in Portuguese. Its vibe is perfect for summer bonfires, island vacations, or a quiet evening spent with a book in hand. Lacking the electric energy of some other Latin styles, bossa instead presents a chill mood. The tone of bossa nova is slow and seductive. As in salsa music, the piano provides colorful interest but is not structurally necessary. Percussion such as a drum kit and shaker is fundamental, but performers often include traditional Brazilian instruments as well. Classical guitar is the main rhythmic and melodic framework. Instrumentation in bossa nova uses a traditional Latin setup. A particular syncopation persists throughout each song, played on the guitar instead of with percussion (as in samba). The main element that separates bossa nova from samba is the rhythm. Let’s compare and contrast the two sounds. Though similar to samba, it has some differences. It’s heavily influenced by percussive beats and usually accompanied by dancing and flamboyant costuming.Īn offshoot of samba developed in the 1950s and 1960s in Rio de Janeiro. Let’s explore the roots to find a definition of bossa nova music.īossa nova comes from samba, which is a musical genre of the early 1900s featuring a melody and simple harmonies sung in Portuguese.
It’s recognizable to the ears for its unique rhythms and colorful percussion. All schools of South American music originated from the merging of African and Caribbean cultures.
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